Credits

Ada Wren and her site on loupe are invented: her words, the CV, her press and the dates of her work. It is an example of an artist’s site made with loupe.

The pictures are real: public-domain paintings, watercolors and drawings from the Cleveland Museum of Art, released under CC0. Here is who made each one.

The valley

• Sunny Autumn Day — George Inness, 1892, oil on canvas · the museum’s record

• A Winter Sky — George Inness, 1866, oil on canvas · the museum’s record

• Fleecy Clouds — George Inness, 1881, oil on canvas · the museum’s record

• The Wheat Field — George Inness, c. 1875–77, oil on canvas · the museum’s record

• Harvest Time — George Inness, 1864, oil on canvas · the museum’s record

• Montclair, New Jersey — George Inness, c. 1878, oil on canvas · the museum’s record

• Landscape — George Inness, 1888, oil on canvas · the museum’s record

• Durham, Connecticut — George Inness, 1858, oil on canvas · the museum’s record

• In the Woods — George Inness, 1866, oil on board · the museum’s record

• Cows in a Field — George Inness, before 1956, oil on canvas · the museum’s record

• The Wood Chopper — George Inness, 1849, oil on canvas · the museum’s record

• In the Housatonic Valley — Homer Dodge Martin, late 1850s, oil on canvas · the museum’s record

• Arkville Landscape — Alexander H. Wyant, 1880s, oil on canvas · the museum’s record

Ponds and heaths

• Pond at Ville-d'Avray — Jean Baptiste Camille Corot, late 1860s, oil on fabric · the museum’s record

• The Pond at the Entrance of the Woods — Jean Baptiste Camille Corot, c. 1860–75, oil on fabric · the museum’s record

• Willows and Farmhouse at Sainte-Catherine-lès-Arras — Jean Baptiste Camille Corot, 1871, oil on fabric · the museum’s record

• Lormes: Goat-Girl Sitting Beside a Stream in a Forest — Jean Baptiste Camille Corot, 1842, oil on fabric · the museum’s record

• Woman Meditating — Jean Baptiste Camille Corot, after 1868, oil on fabric · the museum’s record

• La Cervara, the Roman Campagna — Jean Baptiste Camille Corot, c. 1830–31, oil on fabric · the museum’s record

• Branch Hill Pond, Hampstead — John Constable, 1828, oil on canvas · the museum’s record

• Hampstead Heath, Looking Toward Harrow — John Constable, c. 1821, oil on paper, mounted on canvas · the museum’s record

• Approaching Storm from the Alban Hills — George Inness, 1871, oil on canvas · the museum’s record

Watercolors

• Landscape — John Constable, c. 1796–1837, watercolor · the museum’s record

• The White Horse — John Constable, , watercolor · the museum’s record

• Hampstead Heath — John Constable, 1800s, watercolor · the museum’s record

• Hampstead Heath — John Constable, 1800s, watercolor · the museum’s record

• Albano, Italy — George Inness, c. 1872, watercolor with gouache over graphite · the museum’s record

• Mink Lake, Adirondacks — Winslow Homer, 1892, watercolor · the museum’s record

• Welsh Landscape with Cattle — Peter De Wint, c. 1807–49, watercolor · the museum’s record

• Mountains and Cattle — Peter De Wint, c. 1807–49, watercolor · the museum’s record

• Bolton Abbey — David Cox, c. late 1840s-1857, watercolor with black chalk · the museum’s record

Drawings

• Landscape (The Large Tree) — Jean Baptiste Camille Corot, c. 1865–70, charcoal with stumping, erasing, and wet brushwork on light brown wove paper · the museum’s record

• View of Marino (recto) — Jean Baptiste Camille Corot, 1827, graphite · the museum’s record

• Sketch for a Landscape (verso) — Jean Baptiste Camille Corot, 1827, graphite · the museum’s record

• Peasant Girl Feeding Chickens — Jean Baptiste Camille Corot, 1800s(?), graphite · the museum’s record

• Landscape with Trees Surrounding a Pond — John Constable, c. 1800–37, graphite · the museum’s record

• Landscape with Large Trees — Gustave Courbet, c. 1870, black chalk with stumping on brown wove paper · the museum’s record

• Traveler in a Woodland Landscape — John Sell Cotman, 1806, graphite and gray wash · the museum’s record

• View of the Acqua Acetosa (recto) — Claude Lorrain, c. 1645, pen and brown ink and brush and brown wash over graphite, framing lines in brown ink · the museum’s record

• A Castle in Normandy — John Sell Cotman, c. 1800–1842, graphite · the museum’s record